The "Root of Prajna (34)" series shifts Buddhist art from sacred manifestations to everyday beings. Birds, beasts, insects, flowers, and their habitats may seem secular and ordinary, yet through inscriptions, compositions, and the unpretentious language of watermarks and woodcuts, they become a space for reflection on life. The "prajna" referenced in the work is not an abstract wisdom detached from life, but is rooted in the stances of all living things, the interdependent relationships among them, and the continuous labor of the creator.