Ivy

1960

Well

Provided by a collector

"Late Autumn in the North" showcases Jun-Oh Goto's profound and reverent gaze towards the vast landscapes of Hokkaido. The painting features snow-covered mountains as its main subject, with the pure white peaks emanating a tranquil and solemn aura beneath a clear sky. The foreground is interwoven with the last golden, ochre, and grey-white branches of late autumn trees, depicting the most poetic transitional moment in the life cycle as winter approaches. Through a spacious composition and intricate layers, the artist creates a striking contrast between the eternity of the snow-capped peaks and the seasonal changes of the forests, allowing nature to express a serene and grand spiritual power.

The work continues Goto's artistic belief that "painting is a practice," using natural mineral pigments to build up the unique warmth and luster of Japanese painting. This brings to life the contrasting whiteness of the snow, the deep blue of the forest, and the golden-red hues of autumn, showcasing a rich and vibrant texture. The mountains in the painting are not just natural landscapes; they also symbolize the unchanging spiritual realm of heaven and earth. Meanwhile, the dead trees and lingering autumn colors in the foreground reflect resilience and composure amidst the cycles of life and death. With a heart of reverence for nature, Jun-Oh Goto distills the moments of seasonal transition, allowing viewers to feel the rhythm of nature's continuity in the tranquil and expansive scene, as well as the profound philosophy of harmony between humanity and nature that Eastern aesthetics pursue.

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