Do not rush to identify whether it is a flower. Try to observe how colors, textures, and brushstrokes intersect with each other, feeling how a familiar image gradually emerges from abstraction.
It does not begin with a flower, but rather unfolds from the dialogue between colors, textures, and brushstrokes. The artist does not preset a concrete image; instead, through repetitive layering and fluidity, a familiar outline naturally reveals itself.
Thus, the work retains the most captivating quality of abstract painting—the viewer does not immediately recognize the flower but gradually discovers its existence during the viewing process. The image is not depicted but slowly born between seeing and perceiving.
What is presented is not a predetermined image, but rather how viewing allows an image to come into being.