Mandy Lee

明治時代 (1868–1912) 約19世紀末至20世紀初

Well

*American Art Galleries, New York, 1906（Heber R. Bishop 舊藏） *Bonhams

This work exemplifies the transformation of the Myōchin family’s armor-making tradition into refined biomorphic metal art. Through sophisticated plate construction and concealed joints, the rigid material achieves lifelike movement and vitality. As a form of jizai okimono, it reflects both the technical legacy of samurai armor and the adaptation to Meiji-era export demand. Created in the artist’s later years (age 73), the piece represents a culmination of technical mastery and artistic refinement.

This work can be traced to the American Art Galleries sale, New York, January 25, 1906, where it appeared as part of the estate of the prominent American collector Heber R. Bishop (1840–1902), representing an early and significant entry into the international art market.