The image is composed of minimal brushstrokes that depict mountains, houses, and distant trees. Zhao Erdai intentionally simplifies the mountain forms into a few structural lines, creating a rhythm similar to writing. A highly restrained spatial relationship is established between the mountains, the houses, and the blank space. This simplification is not a reduction in technique, but rather a refined way of viewing. The houses are located at the bottom of the painting, resembling a dwelling far removed from the hustle and bustle. Within the vast expanse of blankness, they appear both solitary and tranquil. This is an image about reclusion and a spiritual dwelling place.