Certificate
M2025OOC000113PA
Introduction
In "a02 White Horse is Not Horse 2," Pan Peng-Ping meticulously employs oil painting to challenge and deconstruct conventional symbolism surrounding the horse image. Through overlapping color forms and contrasts between gentle whites and muted blues, he successfully navigates between abstraction and recognition, generating visual tension and depth. The subtle emergence of the horse’s semblance alludes poetically to the ancient philosophical debate from Zhuangzi—recontextualizing an intellectual discourse into a contemporary visual narrative imbued with cultural resonance and humanistic depth.