Chen, Chun-Chi

2024

Well

POST WINGS

This artwork is based on the concept of Huayan's "mixed adornment," constructing the Buddha body and the Dharma realm with flourishing flowers. The three Buddha figures in the painting represent the Western Three Saints—Amitabha Buddha in the center, with Avalokiteshvara and Mahasthamaprapta on either side. The piece unites the Huazang world and the Pure Land, embodying Huayan's teachings of "two Buddhas, one realm" and "non-duality of one body."

Amitabha Buddha is adorned with gold and silver floral decorations, with layers of red gold, pale red gold, and blue gold showcasing solemnity and beauty. The Buddha body and lotus throne are outlined in white flowers, with the halo around the head and body radiating from floral leaves, presenting a delicate light and completeness. Avalokiteshvara is embellished with golden flowers, white and green ferns, and morning glories, symbolizing the constant growth of the Dharma body; Mahasthamaprapta, on the other hand, is depicted with elegant wisteria, showcasing richness and spiritual elevation.

The background is filled with blooming chrysanthemums, symbolizing wisdom and purity, adding a profound and stable beauty to the composition. The white crane flying in a zigzag pattern from Amitabha Buddha's chest resonates with the imagery of the crane preaching found in the "Amitabha Sutra," symbolizing the unobstructed nature of the Buddha's teachings guiding sentient beings beyond the cycle of rebirth.

The flowers and leaves in the artwork serve not just as decoration but also as a symbol of Huayan's principle of "one is all, all is one"; the Buddha body is composed of countless lives, signifying the interdependent origination and seamless integration of the Dharma realm. The entire painting presents a pure realm where the Pure Land and Huazang seamlessly blend, allowing viewers to experience harmony, light, and elevation both visually and spiritually.

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