Introduction
The composition presents a contrast between mountains and rocks created with minimal brushstrokes and a red dragonfly. The lightness of the dragonfly balances against the weightiness of the stone lines, shaping the tension of life’s two extremes. Zhao Erdai employs calligraphic brushwork to create rhythm, leaving blank spaces that suggest the void, while the red dot becomes divine. This piece represents his typical "minimalist shaping" period, pursuing the concept of "thousands of phenomena within a single stroke," and symbolizes his inner tranquility and free spirit.