Introduction
In "Companion Good (Ink Flow) (2)," Yang Min-Lang demonstrates a deep cultural heritage intertwined with a flair for innovation using ink painting. Transitioning from traditional portrait painting to unconventional cement materials, he explores new realms within ink art. This piece showcases bold and unrestrained brushstrokes, reflecting the vigor of masons at work, with the fluid ink symbolizing spontaneity and vitality during the artistic process. Yang does not confine himself to the meticulous compositions typical of traditional ink painting; instead, he seeks a crude and pure expressiveness, imbuing the artwork with a primal dynamism and profound emotional depth.