Introduction
Yang Min-Lang's "Magpies Pleasant in the Pines (Ink Flow)" captures the essence of spontaneity and ruggedness in nature, showcasing his unique approach to ink flow. Transitioning from a 30-year career in portrait painting to experimenting with cement and ink, Yang's work represents not only a shift in technique but also an evolution in artistic expression. The magpies and pine branches in this painting emerge through his use of ink, transcending mere visual representation to evoke layers of emotion and philosophy. Viewers are invited to experience the freedom and liberation evident in Yang's bold, unfettered brushstrokes, reminiscent of the vigorous application of cement by a master craftsman.